Sunday 25 December 2016

Xmas Teaser: 37 Hours

Happy Xmas everyone, especially to readers of 66 metres. Here's a teaser, the opening of the next book - 37 hours - due out in March. The book takes place in four locations: Moscow, a remote island off the coast of Borneo, Chernobyl, and London. Expect plenty of fast-paced action, gritty scenes, tough choices, a chilling villain, and some twists you won't see coming... 

This is how it starts. Some of you might guess who Vladimir is...

 
Prologue

Vladimir Nikolayevhich was cuffed and hooded, but his guards had made a fatal mistake. His hands were behind him, but not attached to any part of the inner structure of the military van. A standard Russian UAZ 452 – he’d know those rickety creaks and the pungent blend of oil and diesel anywhere. The vehicle trundled towards some unknown destination where he would be interrogated, beaten some more, then shot in the back of the head.

Three of the four men chattered as they picked up speed down a straighter road. Their second mistake. Clearly they weren’t Special Forces – Spetsnaz – like he’d been until very recently. Regular army. He’d only seen the two men who’d taken him from breakfast with his daughter. But now he knew there were four – one other had engaged in the banter, another had remained silent but was referred to as the butt of several bawdy jokes. The hierarchy of the men was also clear. The leader was in the front passenger seat, the silent one the driver, leaving the two musclemen in the back with him. One beside, one opposite. He waited. They’d been driving for an hour or so, initially dirt tracks, now a highway, which meant they were on the E119 to Vostok. If they turned right, he had a chance, as they would have to cross the Volga river. Then he would make his move.

If they turned left, he was a dead man.

Vladimir wasn’t a man for options, or for hedging his bets. Not a question of making the right choice, but of making the choice right. In all his missions in the past twenty years he’d never cared much for  a Plan B. Leave too many options open, and events control you, inviting failure.

The van would turn right.

He needed to know if there was anything, a metal strut, for example, between him and the driver, in front on the opposite side. Nobody had talked to him since his arrest. Why talk to a hooded, dead man? But they were military, at least they had been at one stage or another, so it should work. He waited for a pause in their talk fuelled by bravado – they were probably wondering which one of them would pop him in the skull. He had a feeling they’d make the driver do it. A rite of passage. Probably a rookie, not yet blooded.

The pause came.

“Cigarette?” he asked, nodding through his hood to the one opposite. “Probably my last, we all know that.”

Silence, except for the van’s suspension creaking. He imagined questioning looks from the musclemen to the leader, the driver fixing his eyes on the road, maybe a glance in the rear view mirror. The dead man had spoken.

A sigh, the rustle of clothing, a pocket unzipped, the tap-tap of a cigarette being flushed from the pack. He could smell the nicotine despite the strong diesel fumes. A hand heavy on his shoulder – the muscleman on the same side – while the hood was pulled up by the other one just enough. He felt cooler air on his lips, the stale coffee-breath of the one opposite.

The smack in the mouth wasn’t entirely unexpected, but it stunned him all the same. He slid off the bench onto the floor, and while three of the men burst out laughing, he stretched his left leg backwards towards the rear edge of the driver’s seat – nothing in the way, no vertical metal support. But there could still be a wire mesh separating the rear compartment from the two in the front. He rocked back onto his knees, and addressed the one who’d hit him. He lowered his head, bychit-style, a bull about to charge, and spat out the words amidst spittle and blood.

Mu dak, suka, blyad!

This time the punch was fully expected. He railed backwards and upwards, travelling with the force of the uppercut, so that his head ended up in the gap between the driver and the leader, which cost him a whack from the latter on the top of his head. No wire mesh. Rough hands slotted him back where he’d been twenty seconds earlier. Profanities poured forth. Nothing he’d not heard or said himself. His face stung. He ignored it. Things settled down, and the banter resumed.

He began drawing long breaths, oxygenating his body. He was chilled, because he had no coat. The other men were wrapped in thick commando jackets. It was early spring, still cold. The Volga would be near freezing, maybe four degrees. Not a problem, he bathed in it every morning. For them, though, it would be a different story.

The van slowed. The tick, tick, tick of the indicator. They slowed down further. Stopped. A truck passed fast ahead of them, rocking the high suspension van in its wake. The leader bellowed a command, though he wasn’t stupid enough to name the destination. “This way, this way.” Another lorry – no, a tractor, given the smell of manure – the leader cursing the young driver for not pulling out sooner. The engine revved, the gear engaged, the van pulled forward.

And turned right.
 
37 Hours is due out in March 2017
 
66 Metres is already out!
"Massive page-turner!" "This author knows his stuff!" "Intelligent, fast-paced thriller!"
 
 

Sunday 27 November 2016

Underwater, running out of air...

When I'm diving deep I always glance up to the surface. Sometimes, as deep as fifty metres, you can still see it, maybe even the boat awaiting you. But often or not, you can't. And the thought occurs to me, what if I were to run out of air, right now? Could I make it?

You can increase the danger by going inside a wreck at depth. Now, if you run out of air, you are already inside a steel mausoleum, and have to find your way out before you can begin to ascend.

The one time this almost happened to me was in the Isles of Scilly, off the Cornish coast. My buddy and I were inside a wreck, and I'd tied a line to the entrance/exit, so we could find our way out. It was about 40 metres deep. At a certain point, we both checked our air and decided we should head out and then back to the surface. But as I began reeling the line back in, it came too easily, and we both realized the unthinkable. The line had either been untied or had been cut. We were well inside the wreck, and I hadn't counted the twists and turns to get into its bowels. Our air was burning nicely at that depth, now aided by an adrenaline kick as we realized our predicament.

I stopped reeling the line in, and we simply followed it as far as we could. Luckily it got us close to the outside, and dim daylight guided us the rest of the way. I never found out who had untied the line or why. To this day, I prefer to think it was by accident.

I used the memory of this dive when I wrote the following scene for 66 Metres. In this part of the book, Jake has finally found the device that a range of killers are racing to find, the Rose, but is running out of air, and is beginning to suffer narcosis. Two Navy SEALs armed with spear guns are hunting him, and in order to hide, he enters the wreck...


Jake watched the fourth tank zip past, sounding like a torpedo, a jet-stream of small bubbles in its wake. It meant things weren’t good topside. The SEALs had arrived with a sled – he should have seen that coming – and must have left someone in charge on the surface. Ascending now would only serve to deliver the Rose to whoever was up there. He had to descend. Nadia’s air had been so low her only option was to reach the hang-tank under Pete’s boat at ten metres, so he’d sent her up.
The hut at fifty-two, where he’d left the smaller, 'pony' cylinder of air – that was his destination. But he chased after the larger tank, looking for the bubble-stream – his own tank would be empty imminently, and the pony wouldn’t last long at depth. By descending again he was going way off the deco-tables, but decompression sickness was preferable to what the SEALs would do to him. Besides, it bought Nadia time, and she was resourceful.

Legs locked together, he dolphin-kicked hard, holding his breath, the speed of his descent pressing his facemask back against his forehead and cheekbones. For a moment he lost the stream of bubbles from the tank and slowed, circling to find them, then continued downwards. Whoever had dropped the tanks had tried to make it land on the Tsuba, and as he passed the wreck’s funnel he saw a familiar grey aluminium cylinder lodged against one of the shed-like structures on the ship’s aft section. As soon as he reached it he shut off the valve. There was no way of knowing how much air was in it, but a diver never wastes air, and the valve had only been cracked open a quarter of a turn, so he reckoned it was at least half full. Anchoring himself by placing the ends of his fins on the sloping deck, he picked it up, still barely breathing – determined to leave no trail for the SEALs – and swam to the hut where he’d left the pony. He entered the wreck.

He’d been inside this part of the Tsuba twice before, but years ago, so he didn’t remember it too well. Rather than switching on his torch, he reached into his stab jacket pocket and took out a thin plastic tube the size of a cigar, and bent it till the mid-section snapped open. The light-stick began to glow a dull fluorescent green, casting a ghoulish light on his surroundings: a corridor straight ahead and up, then a staircase leading deeper into the ship. He took a short breath and headed in.

At the foot of the rusted metal stairs was a square room, algae-encrusted pipes lining floor and ceiling. The room had a single opening at the lower end – too small to get through with all his gear on – and at the other end a sealed hatch. First things first – air – since his main tank would be empty soon. But it was hard to think. The inevitable narcosis made his brain feel like a sponge soaked in rum. Concentrate! Three tanks: one ten-litre half-full, one nearly empty, and the smaller three-litre pony cylinder. Two SEALs. What to do?

His brain wasn’t co-operating. It was like staring at words, unable to decipher their meaning. On the surface he could work it out in an instant. A light flickered above, and he knew he’d run out of time. Clearly the SEALs had a detector and the locator code for the Rose, even though it only worked over a limited distance. He swam to the hatch, tried to heave it open. Rusted solid. Light beams danced around the bottom of the stairs. He swam back to the smaller hole at the lower end of the chamber, and dropped the pony bottle, with its regulator attached, straight through. He heard a clunk two seconds later.

As he turned around the first SEAL appeared. Nice rebreather kit, he had to admit; serious, professional. Jake pulled out his diver’s knife – Sean’s knife – and faced him. But the SEAL aimed a spear-gun at him, and gestured for him to drop the knife, just as the second SEAL arrived, squeezing in next to his comrade. Jake knew he might be dead either way, so he turned his back and went to the opening, and shoved the Rose, inside its bag, through the hole. He heard it hit bottom.

He expected to be speared at any moment, but the two SEALs stayed put, one of them nodding to the knife still clasped in Jake’s hand. Their eyes looked clear, alert, whereas he knew his own would appear groggy, half-closed and bloodshot. He let the knife slide from his grasp. One of the SEALs handed his spear-gun to the other, then approached Jake, his own knife drawn, and pushed past him to the opening. He shone a torch into it, then grabbed Jake’s stab jacket, and began unbuckling it. He then backed away, pointed to the hole, then to Jake.

It took Jake a few seconds to understand. Two spear-guns. Two options. Retrieve the Rose, or be killed here and now, after which one of them would go and fetch it. Reluctantly he slipped out of his stab jacket and let the whole ensemble, stab and tank, drop to the floor, but he kept the regulator in his mouth. He felt naked. He checked his air gauge – thirty bar. At this depth, it would last a few minutes, tops.

Unbuckling the tank from the stab’s harness, he turned, relishing each breath, and faced the dark hole. It looked like a giant letter box. The only way in was to put the tank through first, then follow it. Without his stab jacket he’d sink easily, especially carrying the tank, and finning back up to the hole would be difficult. He pointed to the other tank lying on the floor, the half-full one. The SEALs both shook their heads.

So, that's how it was.

Clambering through the hole, tank first, Jake fell rather than swam down, the regulator mouthpiece tugging against his teeth. After five metres, during which he felt as if he’d just downed two pints, he hit the metal floor. The SEALs must be shining their torches downwards, as he could see everything lit up in stark twilight, small clouds of silt puffed up from the floor where he’d landed. A completely sealed room, no other way out, but there was a tall metal cupboard, mesh doors hanging off their hinges. He found the bag and could see the Rose inside, blinking innocently next to his pony bottle. He stood over the pony as he fished out the Rose, so they couldn’t see what he was doing, and moved the pony and regulator into the cupboard, along with the bag, then turned to face the two torch beams.
He kicked hard, causing a cloud of silt to mushroom up from the floor, kicked a few more times, then launched upwards, finning furiously to climb back up to the letter box, cradling the almost-empty tank in his left arm. He passed the Rose through to one of the SEALs, then held onto the lip of the hole, and heaved his tank through, sure it would give out at any moment.

Jake expected the worst. He wasn’t disappointed. They yanked the tank from him, tore the regulator from his mouth, and then he saw the tip of a spear-gun right in front of his facemask. He pushed sideways with his left arm against the opening, just as the SEAL fired. White-hot pain lanced through Jake’s shoulder. He spiralled down into the cloud of silt, banging his other shoulder against the bulkhead. Another spear phished past him, slashing his wetsuit, cutting his thigh, but that was minor, a flesh wound. The torch beams were scattered by the silt, two suns trying to break through cloud. Good, they couldn’t see. Come and get me.

He landed in darkness, knew they would be reloading. He clawed his way to the cupboard, groped desperately for the pony’s regulator, and found it. He gasped in air, but breathed out carefully, into the top of the cupboard, so the bubbles were trapped there. The torch lights continued to hunt him, but Jake knew the silt would take ten minutes to settle. Two more spears shot down, one clanging into the floor, the other striking the top of the cupboard. The beams waved some more, then it darkened. He heard a loud hiss from up above. They were emptying both his tanks.

Bastards.

Jake squeezed his eyes shut, dared to touch the short metal shaft sticking out of his shoulder, and immediately wished he hadn’t. It wasn’t in too deep – the spear’s momentum had been slowed by his neoprene wetsuit – but he had no intention of ripping his shoulder wide open trying to extract it.
It grew dark again, and he heard clangs as the SEALs departed, leaving him to die. He slumped down inside the cupboard, and breathed heavily from the pony. It wouldn’t last long, but it didn’t matter. This was it. He’d been beaten. He’d finally join Sean. Not the way he’d intended.

The pain burned. He was losing blood. Where was nitrogen narcosis, or for that matter, oxygen poisoning, when he really needed it. He sucked in a few more breaths, knowing these were his last. He wondered what Sean would say. But he already knew what his son would say. Get the fuck up! That’s what he’d say. Nadia and the others are on the surface depending on you. You weren’t there when I most needed you, you’d better be there for them!

His eyes blurry, Jake staggered out of the cupboard. He released his weight-belt and lowered it to the floor. He found the bag he’d used to carry the Rose, and breathed out into it, then swam a few strokes upwards, carrying the pony, his teeth clamping down on the pain from his shoulder. When he got through the entrance, he found Sean’s knife and sheathed it. Each time he breathed out, he did so into the bag, creating a small balloon.

Drunk with pain, he made his way outside the ship, and stood for a moment on the deck. What are you waiting for? Sean said.


Jake kicked off, hanging from the homemade balloon that billowed as he ascended, and as the water pressure reduced, the bag began to lift him. He could almost feel the nitrogen flashing out of his bloodstream, forming small bubbles, searching for his joints, his heart, his brain. Just another way to die underwater. At thirty metres the pony resisted his in-breath. Sudden, though not unexpected. He was out of air. Forget about it. Every diving instructor knew the physics. From here on the air in his lungs would expand, and he wouldn’t need to breathe in, just breathe out, as if whistling, and by ten metres, he’d need to exhale in one long continuous scream. That would come easy. He let go of the pony bottle, withdrew Sean’s knife, tilted his head back, and began the long exhale.

Praise for 66 Metres:

"A great read that kept me turning the pages right from the start. Fellow divers will love the detail the author has put into this, as well as the story itself. Thoroughly recommended!"

'Deep diving meets suspenseful underwater action!"

"It’s clear the author knows his stuff about diving."

"Massive page-turner, read it in one long flight!"

"Couldn't put my kindle down!"



Friday 14 October 2016

Why I dive...

Imagine another world, one without mobile phones, laptops, emails, conversation, work... Imagine you could fly in this land, silently sail over exotic landscapes, parachute in slow motion, immerse yourself in swarms of wild but perfectly choreographed creatures going about their business – eating and trying not to be eaten – where the hierarchy is clear, where you and the other fish are always on the lookout for sharks. Imagine a place you can only observe, where you are the alien, where you need a wetsuit and an air tank to survive, where you never quite take the next breath for granted.

Imagine swimming, seeing nothing but featureless blue atop rippled sand, and then a wreck looms out of the shadows towards you like the ghost that it is, ominous, rusted, sharp, dangerous, its entire body tattooed with vibrant coral, its dark, open holds hiding schools of fish, enticing you inside if you dare…

Scuba diving allows you entry into this world. Several million people now dive all over the planet, some only once or twice in their lifetimes, perhaps during exotic holidays. Others become passionate, addicted. It doesn’t take long to become a diver if you’re in reasonable medical health – a few days course abroad or at home will teach you the basics, enough for your ‘bapteme’, and then, if you go again, you can soon get your diver certificate and start heading to far-off locations, taking on more challenging dives – diving deeper, into caves, into wrecks, drift diving in strong currents, encountering bigger and more awesome fish such as whalesharks or hammerheads.    

Diving is a serious hobby – there are risks, from nitrogen narcosis to decompression sickness to running out of air – but with good training, proper equipment, a sensible attitude and some basic safety culture, it is safer than many sports. The rewards are endless – the underwater world is serene, magnificent,  with ever-changing coral vistas. And because it is serious, because there is no language underwater besides a few hand signals, divers bond with each other, often becoming good friends. Your life may one day depend on your buddy, so you watch each other, and watch out for each other.

Some of the most intense moments in my life, when I have felt most alive, have occurred underwater – from encountering a whaleshark in the blackness and then riding it on the surface and then back down into the depths (Watamu, Kenya), to exploring pristine WWII wrecks in the Pacific (Truk Lagoon), to watching a dozen sharks hunting a school of over a thousand jack (Palau), to being pinned between two schools of hammerheads at depth (Sipidan, Borneo), to seeing a swordfish hunt fish less than a metre away (Seychelles), to diving fjords at night in Norway, to coming face to face with a penguin underwater (Galapagos), to chasing reef sharks in the Coral Sea outside the Great Barrier Reef.


These are highlights out of 650 dives worldwide. But almost any dive is a good dive. Just being underwater transports me to another type of perception. After all, try to imagine a world where there are no mobile phones, no laptops, no emails… a world where you can truly fly.



@kirwanjf

Sunday 9 October 2016

My writing process...

Last week back in the UK I met up with a few fans who asked me about my writing process. I'm often questioned about this because people who know me also know I have a very demanding 'day job', one which involves around 50 hours a week and on average one international trip per week. Do I write when I travel? No. There's no time. I'm working all the time or socialising with work colleagues.

So, when do I write?

First, I get insomnia. Or I don't need as much sleep as other people. Or somewhere between the two. The net result is that every week or so I wake up really early (i.e. before 4am) and start writing, usually until 6 or 7am. For me this is an incredibly productive time. My mind is lucid and imaginative, and there are no distractions (no one is emailing me at that time in the morning!). I can get 4 or 5 pages done. It will of course need a lot of editing, but it's usually workable.

At the weekends is when I write most, both Saturday and Sunday. Usually Saturday is a couple of hours early in the morning, before I do something physical like the gym or Pilates, and then maybe in the early evening. Sunday afternoon is a good time to write, and it's nice to lock myself away for 2-4 hours and blitz on a chapter.

I never write at night. My mind isn't focused enough.

The second question I get asked most is about how I develop the plot. Do I know the ending when I start? Do I work everything out as I go along, or is it more 'organic'? 

So, I do know the ending. Not the details, but who is left standing, and how they have changed. I'm talking about the protagonist, and/or the main three characters. I also know the hook to the next book, as I tend to write trilogies, where each book is stand alone, but there is a link and one overall arc. That's because I grew up reading and loving trilogies. Single books are great but leave me pining for more, and endless series end up cliché-ing themselves (IMHO).

Knowing the end, I start the first few chapters just to get a sense of the characters, to push them, to find out who they really are and what makes them tick. I like prologues, but I make sure they are not info-dumps, they are mini-chapters that get the reader caring about the protagonist from the outset, and giving the stakes right up front, often on the first page. The prologues are also lean, fast and pacy, so the reader has a foretaste of what's to come. Here's an example from the book I'm working on now, from the very first page:

 
Vladimir Nikolayevhich was cuffed and hooded, but his guards had made a fatal mistake. His hands were behind him, but not attached to any part of the inner structure of the military van. A standard Russian UAZ 452 – he’d know those rickety creaks and the pungent blend of oil and diesel anywhere. The vehicle trundled towards some unknown destination where he would be interrogated, beaten some more, and then shot in the back of the head.
Three of the four men chattered as they picked up speed down a straighter road. Their second mistake. Clearly they weren’t Special Forces – Spetsnaz – like he’d been until very recently. Regular army. He’d only seen the two men who’d taken him. But now he knew there were four – one other had engaged in the banter, another had remained silent but was referred to as the butt of several bawdy jokes. The hierarchy of the men was also clear. The leader was in the front passenger seat, the silent one the driver, leaving the two musclemen in the back with him. One beside, one opposite. He waited. They’d been driving for an hour or so, initially dirt tracks, now a highway, which meant they were on the E119 to Vostok. If they turned right, he had a chance, as they would have to cross the Volga river. Then he would make his move.
If they turned left, he was a dead man.


After a few chapters, I decide the overall structure. The book I'm working on now, One Way Dive, the sequel to 66 Metres, is a 4-part structure. I decide where each section is going to take place: Sebastopol, Borneo, Chernobyl, and London. This anchors the different parts in my mind, and I consider the emotional arc of the protagonist during and at the end of each section, and the major event at the juncture of each part that will draw the reader deeper into the book.

I then work on each part. The first one usually goes quickly, but the second one has to be more grounded. I need to be able to plot the next five chapters. This is my working horizon, given that I know the endgame. So, for example, this weekend I've been plotting chapters 14-18, on paper, working out roughly what happens, where, to whom, who is left standing, who betrays who, what it means for the plot, what remains unresolved (hence maintaining suspense), and that all important heightening of tension for the protagonist. This section is also the first time the reader meets the arch enemy, who was hinted at right at the end of 66 Metres. This guy personifies evil and threat, and it has to make a big impact both on the protagonist and the reader. So, he must do something pretty terrible, but threaten to do something even worse (for the fourth section).

All this is done on small, scrappy bits of paper in almost indecipherable (even to me) handwriting. It doesn't matter. The fact that I write it down leaves a trace in my head, so I remember even if I can't read my notes!

When I write, I don't do it in a calm, relaxed fashion. I do it urgently, in a hurry, as if I can't type fast enough, as if someone has a stopwatch and a gun to my head. This is how I write 'page-turners' and action scenes. The cold-eyed editing stage comes later, but the first cut must be raw and bloody. The way I do this is by waiting, building up tension in myself before I write, thinking and re-thinking scenes without typing a single word. Then when I do sit down with my laptop, it floods out of me. Usually half a chapter at a time. Breathless. Later, I'll fill in, fill out if it is too fast, deepen, etc., but not this first draft.

Fire first, ice later.

Here's my favourite scene from the opening of 66 Metres (on sale here), with one of Nadia's defining moments:


‘You have grey eyes,’ Kadinsky said, wagging a finger at Nadia. ‘Like a fucking tombstone. Who’d want to make love staring into such eyes?’ He glanced at Katya. ‘Are you sure she’s your sister?’
Katya’s gaze dropped to the carpet. She nodded, her own eyes a deep blue, like her mother’s. Nadia had her father’s eyes. Killer’s eyes, he’d once joked, when she’d been too young to realise it was a confession.

Kadinsky swirled the ice in his whiskey tumbler with a pudgy index finger. ‘What else can you do, girl?’

Nadia never knew where her answer came from, possibly revulsion against a life of prostitution, but she thought of her father, and the words slid out of her mouth. ‘I can shoot. I never miss.’

Kadinsky’s thugs laughed. He didn’t. ‘I detest exaggeration,’ he said. ‘So American.’ His mouth moved as if he was going to spit.

‘Let’s see if you can really shoot. Give her your pistol,’ he said to one of the henchmen, the one with a pockmarked face – Pox, she named him – who immediately lost his sense of humour.

She took the weapon from his outstretched hand, weighed it in her palm. An old-style Smith & Wesson. God knows why the guy had it. Most blatnye preferred semi-autos, Makarovs or the older but higher-velocity Tokarevs. She checked that it was loaded, all six bullets nestling in their chambers. She glanced at Kadinsky, thought about killing him. But the other henchman, the fat one with slicked black hair – hence, Slick – had his Glock trained on her, his lopsided leer daring her.

Kadinsky waved a hand towards Katya, five metres away. He tilted his head left and right, then settled back against the soft leather, took a gulp of whiskey, and smacked his lips. ‘The red rose in the bowl of flowers behind her left ear. Shoot it. From where you stand.’

Slick’s eyes flicked toward Katya, gauging the angles. His leer faded.

Nadia stared at her sister and the rose. Most of it was behind her head. Only one leaf of the scarlet blossom was exposed. She swallowed, then lifted the revolver, and took up a shooting stance like her father had taught her. Right arm firm, elbow not fully locked, left hand under the fist, prepared for the recoil. She had to do it before anger built and disrupted her concentration. She cocked the hammer, lined up the shot, then spoke to Katya’s serene, trusting face: ‘Love you,’ she said. Then she breathed out slowly, as if through a straw, and squeezed the trigger.

Masonry exploded behind Katya. The crack was so loud that three other men burst into the room, weapons drawn. Kadinsky waved them back as Pox peeled the revolver from Nadia’s stiff fingers. Petals fluttered to the floor amidst a plume of white powder from the impact crater in the wall. Katya sat immobile, pale, the hair on the left side of her head ruffled as if by a gust of wind. A trickle of blood oozed from her left temple, and ran down her cheek.

Katya, lips trembling, beamed at Nadia. ‘Still alive,’ she said, her voice hoarse. She touched the graze with an unsteady forefinger.

Nadia began to shake. She folded her arms, refusing to give Kadinsky the satisfaction.
 
 










Monday 3 October 2016

Heroines aren't born, they're forged - Nadia's story

Some prologues are worth reading. This is how Nadia begins...

Prologue
 
The only thing worth killing for is family.
            Her father’s words to her, the day they’d come for him.
            She’d been fourteen when two men in combat fatigues and balaclavas burst into the kitchen where she and her father were enjoying breakfast. The armed commandos hadn’t seen his pistol lying beneath a folded newspaper. While her father struggled with the men, his eyes flicked between her and the weapon. She could have darted for it, threatened them, helped him. But she hesitated. The moment slipped past. They threw a black hood over his head, cuffed him, and dragged him away . . . to be interrogated, tortured, executed and buried in the woods. A single thought haunted her ever since.
            Had he known they would come?
Now, four years later, Nadia picked up his Beretta, its dark metal cool in her hands. She checked and re-loaded the magazine. She walked to the window, took one last look at the wild garden where her father had taught her to shoot, and the gravel path leading through the pine forest to the banks of the Volga.  There, she’d learned first to swim, then to dive. Turning away, she stashed the pistol in her backpack and crept downstairs, hoping to escape unseen.
But her mother was waiting for her on the doorstep, arms folded. “You’ll end up a killer just like him, Nadia. Or a whore, like your sister.”
            Nadia pushed by without replying. She passed through the creaking gate that had so often announced her father’s return, and breathed easier after the turn of the road. She waited an hour for the bus, part hoping, mainly dreading that her mother would come running around the corner begging her to return.
Fifty miles from Moscow, where her sister Katya lived, everyone had to get off the bus at a security checkpoint to show papiren. Nadia left her backpack under the seat. When she reached the front of the line, a young soldier flicked noisily through her passport, then glanced up, surprise lighting his smile.
            “Happy birthday,” he said. “Eighteen. A special day.”
 
 
Nadia moved into a grotty studio flat in Old Arbat, where each night she fell asleep exhausted from working in the local bakery from 4 A.M. until 3 P.M., then at a supermarket until 9.  She liked boys well enough, but hated the unsubtle flirting, the vodka-fuelled race to unconsciousness, the lies. She’d loved her father, but he’d been one of the worst with women, and she’d seen the damage it had done to her mother. So she kept her hair cropped, dressed for comfort, and was often mistaken at first sight for a young man, which was fine with her.
She didn’t get enough time with Katya, but on Wednesdays they’d go to the Sevastopol Hotel, the rock-bottom market. They’d start on the 16th floor and work their way down, Katya usually buying her little sister Chinese or Afghan trinkets to brighten her dingy flat, seeing who could negotiate the hardest, laughing about it afterwards over ice cream. And every Sunday afternoon they’d head to Gorky Park, taking turns to push each other on the swings just like when they were younger, and ice skating as winter approached, always hand in hand. Sometimes they talked about their parents, but only back in the past, during those good, early years. But when they’d hug, Nadia remembered how they used to hold each other in bed during their parents’ screaming matches downstairs.
Katya never invited Nadia to her place, never spoke about what she did with the rest of her time. Nadia didn’t want to probe, didn’t want to break the spell. Besides, she wasn’t sure she wanted to know.
Then the ever-gorgeous Katya invited her dark-haired kid sister to a party at a luxurious country dacha owned by a wealthy businessman, Kadinsky. Nadia was never formally introduced, though Katya clearly knew him very well. Nadia was mesmerised by the women with perfect skin in glittering, low-cut dresses, the handsome and not-so-handsome men, their jewellery and fancy cars and easy talk of big deals. Viktor, a man twice her age, who turned out to be someone in government, seduced her. He wasn’t bad-looking, took his time in bed, and left cash for her breakfast in the mornings.
She let things coast for six months, no demands or promises on either side. She presumed he was married. She never asked, and he never said. She gave up the early morning bakery job, and thought about getting a cat.
Then one day Viktor was on the news, handcuffed, being forced into a police van. She leapt off the sofa and began packing a bag, but within minutes a loud rapping sounded on the door. The Beretta was on the table, fully loaded. She hid it under a loose floorboard, then opened the door.
Receiving misappropriated funds. That’s what they told her at the station, though she was never formally charged, never saw a lawyer. Once inside Lubyanka prison, Nadia was informed she’d be their guest for twelve years, ten if she behaved. On the anniversary of her father’s death, she gazed through the prison bars, studied the sad faces staring back at her from the ugly block opposite. She turned away, took in the inside of her cell. The double bunk with rancid sheets under which she shivered each night, curled up in the foetal position. The iron toilet that stank of her own piss and shit – they wouldn’t give her the bucket of water to flush it until lunchtime. The cold grey bars, faded whitewashed brick walls, not even graffiti to lighten her mood. And the lone hook in the ceiling that her former cell-mate had used to end everything while Nadia had been out in the exercise yard. The fourth suicide since her arrival.
Ten years? She wouldn’t make it.
Shouting erupted down the corridor. Wolf-whistles, tin mugs clanging against cell bars, lascivious remarks from several lesbian inmates, one of whom already had her eye on Nadia. And then a gruff man’s voice, more like a growl. Silence. Nadia stared at the bars. It couldn’t be anyone for her. No one had visited her since her incarceration. But she listened. A man’s shoes, heavy, impatient, and high heels clacking behind, almost running to keep up. Nadia smelled her sister’s perfume, and took a step forward as the footsteps approached. But Katya wasn’t alone. Nadia took a step back.
Kadinsky.  
Since being locked away, she’d heard on the grapevine that he was a gangster, not a businessman, and now she saw him close up for the first time, he fit the bill. He had a gleaming bald head, like he actually polished it every morning, and was fat without being flabby, as if his weight was there to throw around, to crush you if necessary. He wore an expensive, baggy beige suit, and gold jewellery dripped from his wrists and neck. Katya stood behind him in a skimpy red dress and high heels, tousled hair falling behind her shoulders, her large eyes hopeful and scared at the same time. There was no guard with them. Kadinsky held a ring of keys in his hand. He selected one that looked indistinguishable from the twenty others dangling from the ring, shoved it into the slot, turned it with a resounding clank, and stepped inside.
Nadia wanted to hug her sister, but Kadinsky stood between them. He turned his head to the side, not enough to see Katya, but just enough so she’d know he was talking to her.
“One word, and I walk. Turn around. Give the other inmates a treat.”
Katya gave one last look at her sister, then dutifully turned around, and faced the bars. There was silence outside. Everyone was listening. Especially Nadia.
Kadinsky glanced at his gold Rolex, as if bored, somewhere else he’d rather be. Anywhere. He glanced at Nadia, then folded his chubby arms, stretching the fabric of his suit.
“I’ll ask you a single question, girl. You have three chances to give the right answer. If you do, you come with us. If not, you stay, and see your sister in twelve years.” He glanced at the toilet bowl, grimaced, pulled out a silk handkerchief, blew his nose noisily, then stuffed it back into his pocket. “And be quick.”
Nadia tensed, stood almost to attention, and waited for the question.
“What did you do wrong?”
Nadia’s reply was too fast, a prison reflex, what everyone here said when they first met someone new in the canteen or the yard. 
“Nothing,” she said.
“Wrong answer,” he said. “Second try.”
Of course it was the wrong bloody answer. He was a gangster, so in his mind everyone had done something wrong. She stared at the keys in his hands. The door was open. Soon, one way or another, it would be locked shut. Think! Maybe just the facts...
“I met Viktor Romanovich at your dacha. We had an affair. It lasted six months. One day I saw him on TV, being taken away, arrested on corruption charges. While I was packing, they came for me, threw me in here.” But what had she done wrong? She’d just enjoyed the ride, a little life, a little luxury, someone who’d looked after her. She pictured Viktor. A man twice her age. Old enough to be… She shuddered. “I should have found out what he was up to, asked where the money came from.”  
Kadinsky made half-fists, turned them palm upwards, and studied the fingernails of one hand, then the other. He stared at her like she was a waste of skin. “One last try. What did you do wrong?”
Nadia looked at her sister’s outline; she was trembling. What had she done wrong? She didn’t know. Been born, maybe? So, she’d stay here, die here. Could she do that to Katya? If her father hadn’t got messed up in God-knew-what, if he’d still been around, things would have been different. What had he done wrong? She never knew. But then she realised what it was she’d done wrong, both times. She’d not picked up the gun for her father, that fateful day. And when they’d came for her, his Beretta – the only keepsake she had from him – had been right there, on the table.  
She looked Kadinsky in the eye. She didn’t know if it was the answer he was looking for. Whichever side of those bars she ended up on, she had a feeling it would be her epitaph.
“I let them take me.”
Kadinsky grunted. Looked at his watch again. “We’re leaving,” he said.
Katya spun around and Nadia found herself wrapped in her sister’s arms, felt her sister’s hot tears on her cheeks. Nadia’s head tilted upwards, and while she succumbed to the embrace, she stared at the lone hook in the ceiling. Fuck you. 
 
 
Kadinsky got Nadia out with bribes and promised favours. Of course, she’d have to work it off.
Once back at Kadinsky’s country dacha, she stood in the large lounge with its single bay window overlooking the dry fountain, a chipped statue of Pan in its centre. Inside, oil paintings of battles, including one above the fireplace featuring a victorious Napoleon, hung around the white, corniced walls. Kadinsky ordered Katya not to speak, then walked around Nadia. He looked her up and down, then shook his head. He dropped into a wide leather armchair. Katya was perched on an antique wooden dining seat opposite. Nadia stood between them, and Kadinsky’s two henchmen – one grossly fat, the other slim as a snake and with pockmarked cheeks – leaned against the far wall.
“You have grey eyes,” he said, wagging a finger at her. “Like a fucking tombstone. Who’d want to make love staring into such eyes?” He glanced at Katya. “Are you sure she’s your sister?”
Katya’s gazed dropped to the carpet. She nodded, her own eyes a deep blue, like her mother’s. Nadia had her father’s eyes. Killer’s eyes, he’d once joked, when she’d been too young to realize it was a confession.
Kadinsky swirled the ice in his whiskey tumbler with a pudgy index finger. “What else can you do, girl?”
Nadia never knew where her answer came from, possibly revulsion against a life of prostitution, but she thought of her father, and the words slid out of her mouth. “I can shoot. I never miss.”
            Kadinsky’s thugs laughed. He didn’t. “I detest exaggeration,” he said. “So American.” His mouth moved as if he was going to spit.
“Let’s see if you can really shoot. Give her your pistol,” he said to one of the henchmen, the one with a pockmarked face – Pox, she named him – who immediately lost his sense of humour.
            She took the weapon from his outstretched hand, weighed it in her palm. An old-style Smith and Wesson. God knows why the guy had it. Most blatnye preferred semi-autos, Makarovs or the older but higher-velocity Tokarevs. She checked that it was loaded, all six bullets nestling in their chambers. She glanced at Kadinsky, thought about killing him. But the other henchman, the fat one with slicked black hair – hence, Slick – had his Glock trained on her, his lopsided leer daring her.
            Kadinsky waved a hand towards Katya, five metres away. He tilted his head left and right, then settled back against the soft leather, took a gulp of whiskey, and smacked his lips. “The red rose in the bowl of flowers behind her left ear. Shoot it. From where you stand.”
            Slick’s eyes flicked toward Katya, gauging the angles. His leer faded.
            Nadia stared at her sister and the rose. Most of it was behind her head. Only one leaf of the scarlet blossom was exposed. She swallowed, then lifted the revolver, and took up a shooting stance like her father had taught her. Right arm firm, elbow not fully locked, left hand under the fist, prepared for the recoil. She had to do it before anger built and disrupted her concentration. She cocked the hammer, lined up the shot, then spoke to Katya’s serene, trusting face: “Love you,” she said. Then she breathed out slowly, as if through a straw, and squeezed the trigger.
            Masonry exploded behind Katya. The crack was so loud that three other men burst into the room, weapons drawn. Kadinsky waved them back as Pox peeled the revolver from Nadia’s stiff fingers. Petals fluttered to the floor amidst a plume of white powder from the impact crater in the wall. Katya sat immobile, pale, the hair on the left side of her head ruffled as if by a gust of wind. A trickle of blood oozed from her left temple, and ran down her cheek.
Katya, lips trembling, beamed at Nadia. “Still alive,” she said, her voice hoarse. She touched the graze with an unsteady forefinger.
Nadia began to shake. She folded her arms, refusing to give Kadinsky the satisfaction.
 
 
Later that night, while she slept in Katya’s bed, holding close the sister she’d almost killed, Slick and Pox burst into the room. Katya woke, leapt out of bed and told them to fuck off, for which she received the butt of a revolver across her mouth.
            Nadia half-planned to try to grab one of the guys’ guns at a crucial moment, but they knew what they were doing. One held her down, while the other did whatever he wanted. She retreated into a corner of her mind, a memory, the first time her father had taught her to hold a gun, his arms around her, helping her aim, shooting at empty beer bottles. He’d been so proud of her when she’d hit one. But she couldn’t hang onto the memory. It hurt, what they were doing, it fucking hurt, and she knew this was a wound that would never heal. She tried to scream STOP! But Slick clamped his hand over her mouth. Katya leapt onto his back, aiming to pull him off, but Pox punched her in the stomach, then in the mouth. Katya went down, didn’t reappear. Nadia continued to struggle, thought of her father, how he’d be raging in hell if he could see this, knew what he’d do to these two bastards if he were there. She clung to his rage like a lifeline… 
            Eventually they left, and Katya, her chin smeared with blood, an ugly bruise rising on her left cheek, came back to the bed and held Nadia tight. Nadia’s body was strangely still, as if it belonged to someone else. She wished it did. While her eyes stayed dry, her elder sister cried and whispered apologies, repeating how it would all be all right, the worst was over, and the important thing was that they were together. For the first time ever, that night, Nadia held her sister until she fell asleep, rather than the other way around.
At dawn Nadia woke to find her sister gone, presumably to Kadinsky’s bed. She considered their predicament. Katya was locked into Kadinsky’s world, and now she owed him too, and he wasn’t about to simply let her off. She was trapped. Her mother’s prediction came back to her: a killer or a whore. Maybe both.
She dressed, crept downstairs and stole outside, timing it to get past the guard by the main door when he went to take a piss. Snow crunched under her boots. She got a couple of miles from the dacha before she collapsed from the biting cold, and lay down in the crisp silence. “It’s okay,” she heard her mother say inside her head, with a kindness she’d not heard from her in years. “Better this way.” She closed her eyes and went to sleep, hoping never to awaken, unless to join her father.
But she did wake, and found herself back in the dacha on a sofa, buried in blankets and fur coats. She shook violently.  People were shouting in the room next door.  Katya, Slick, and Pox, then that low growl that cut off everyone.
            Katya came in. She wiped away tear streaks on her bruised face, and closed the door behind her. She braved a smile and walked toward Nadia. “They won’t touch you again,” she said, her voice shaky. “Nobody will.” She sat down next to her.
Kadinsky entered, a gold-rimmed coffee cup in his hand, a sad-looking golden retriever trailing him. “Here’s the deal, girl.” He spoke to the bay window rather than her, and took a swig before continuing. “I could use a female operative who doesn’t wet herself under pressure. Maybe that could be you.  You’ll work for me for five years. Your training will take three, including eighteen months in Britain. I want your English impeccable – not like a newsreader, like a local.” He stared at her, his gaze hard. He stooped to pat the dog ineffectually, as if he didn’t really know how, then stood tall, downing the last of the coffee. He spoke to the window again. “Katya stays here. Do ten ops for me, then I’ll let you both go.” He nodded to himself as if concluding the contract. “Ten ops, five years. Then, svoboda . . . freedom.”
He left, not waiting for an answer. The dog followed, its head bowed.
Kadinsky’s words echoed in her mind. Five years. Half the life she would have lost in prison. If she’d have lasted. Thinking of her cell helped. Katya had gotten Nadia out of her own personal hell. But would Kadinsky really let them both go afterward?
Katya hugged her, and she succumbed to the embrace, because the only person she cared for in this brutal world was Katya. “It’s going to be all right,” Katya said. “You can trust him. Pyotr Aleksandrovich is a hard man, but he keeps his bargains.”
She knew what Katya was trying to do, using Kadinsky’s first name and patronymic, making him seem like family. But something inside her hardened, as if the tears that should have come earlier turned to glass. She promised herself she would go and retrieve her father’s Beretta the very next day, strip it, clean it, begin practicing again.
Ten ops. Five years. Then, one way or the other, she and her sister were through with Kadinsky.
“It will be all right, Katya,” she said. “Whatever it takes, I promise one day I’ll make it right.”
 
 
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